Archive for April, 2010

Twitter Weekly Updates for 2010-04-25

admin | April 25, 2010 in Hats Off! to PJI | Comments (0)

Tags:

Powered by Twitter Tools


Good news for people who like absurdly good comedy

itsalexis | April 23, 2010 in Appearing Live! | Comments (0)

Tags: , , , , ,

Good news! Next Wednesday, April 28th marks the return of PJI’s monthly comedy show Open Mic Sandwich (hosted by Tommy Highland). Better news! We’ve just confirmed that the featured acts will be Gregg Gethard and Doogie Horner. Interestingly, this month’s featured acts have a lot in common: Both Gethard and Horner are veterans behind the microphone. Both have hosted highly successful monthly comedy shows. And both have comic styles that have been described as “absurdist” and “out of left field” by their devotees. Hey, it’s almost as if I  booked these two on the same show on purpose! Which, uh, I did. Of course. On purpose.

Gethard is Philadelphia’s only child-star-turned-comedian. He’s made a name for himself as a stand-up and as host and curator of the monthly alt-comedy show Bedtime Stories (which just celebrated its 3-year anniversary). Gethard is a regular contributor to Philly2philly.com; you can find some of his comedic writings,  including some kick-ass Steve Perry fan fiction, archived at Gregg Gethard’s Amazing Personal Journey.

Fun fact: Hilariousnessosity apparently runs in the family. Gethard is the brother of Chris Gethard, a performer at the UCB Theatre who was recently cast alongside Horatio Sanz and Chris Parnell in an upcoming Comedy Central pilot. So watch out, Smothers Brothers! Move over, Stillers! Take a hike, Freddie Prinze and Freddie Prize Junior! There’s a new family dynasty on the scene.

Considered by many to be one of the top stand-up comedians in Philadelphia, Horner isthe creator and host of the Ministry of Secret Jokes, a monthly showcase of “Philly’s premier alternative comedians at play,” (Phillyist.com). The multi-talented Horner is a graduate of the Tyler School of Art and is an accomplished illustrator and graphic designer. He claims he created the MOSJ as “some excuse to make some really cool posters,” (Interview in the comedians magazine). Of course, with his book Everything Explained Through Flowcharts! due out in the fall of 2010, Horner no longer needs to manufacture reasons to get his design on. Sadly, MOSJ is on hiatus (word on the street is that writing and illustrating a book is pretty time-consuming), save for the occasional one-off here and there. But you can still catch the magic combination of Doogie Horner’s precise, detailed writing and flawless delivery at next Wednesday’s OPEN MIC SANDWICH.

Fun fact: Horner ’s appearance at Open Mic Sandwich will mark a return to his roots. Before its hiatus, The Ministry of Secret Jokes was held the last Wednesday of the month upstairs at Fergie’s Pub.


Born frowning, died laughing: Chapter 4

General McLean | April 22, 2010 in Born Frowning, Died Laughing | Comments (0)

Chapter 4: Judgment Night

Every year at Haverford College, there is a campus-wide, weekend-long party that the school sponsors as a way of celebrating spring and giving students the chance to unwind before final exams. In 2003, Haverfest was the setting of one of the more memorable weekends of my time at college, for good reasons and bad.

Friday night of Haverfest marked the last Throng show of the year, and the last ever for our seniors. The night was filled with emotion and good times, carrying us into the wee hours. On Saturday afternoon, I made my way from the Dining Center over to Lloyd 90s, where Alexis and her friends lived. They were already outside enjoying the warm weather and mirth natural to Haverfest weekend. Chris and Scott (with whom I’d spent many late nights doing scenes, traveling to Wawa and doing more scenes) didn’t live in Lloyd 90s, but they were there already, and that made me feel like it was going to be a good day.

Chris was noticeably anxious when I saw him. When I asked him what was up, he told me that today was the day he expected to find out whether we’d been selected to perform in the Del Close Marathon in New York. While I recognized this as important, I decided not to let an uncontrollable result effect my good time, and I suggested he carry it in kind. Scott was messing around with a kickball that belonged to Lloyd 90s, and he and I started passing it back and forth like it was a basketball. That guy sure knew how to make you feel like a kid when you thought you’d forgotten how (explains his mastery of improvisation, certainly).

So Scott and I are geting into a pretty energetic back-and-forth when the ball goes a bit wild and into a bed of flowers. To retrieve the ball, Scott has to walk on some of the flowers, and does so without much consideration for the plant life. I didn’t think much of it, until I hear someone say something to the effect of, “Be careful, a–hole!” But I wasn’t surprised when I saw who said it. She was one of Alexis’s friends whom I didn’t talk to anymore.

Scott replied, “What?”

She said, “The flowers! Be careful. That’s, like, my major.”

Scott, without missing a beat, said, “I thought it was Painting.”

Scott and I start laughing. I may have even fallen down from laughing so hard because she was an art major. And watching her get annoyed amused us because she was known for getting annoyed easily…and that’s what happened that day. She stared Scott down for a few seconds. Then, Scott froze deer-style and said, “Nooooo fighting!”

Hearing that, I instantly howled with laughter again, because his wit cut deeply than I thought it would. See, this girl is a proud Quaker (if the entire exchange doesn’t seem funny to you after knowing that, then I guess you had to be there).

Anyway, she went back to doing whatever she was doing. No one else around expressed that Scott and I had been especially offensive, so the day went on with negligible tension. I wasn’t too worried about the exchange because, as I’ve already said, the girl and I weren’t on speaking terms.

Here’s why: remember when I said I had a crush on one of Alexis’s friends and that’s mostly why I sat with them for lunch sometimes? I met her at the start of first semester that year, when she’d returned from Study Abroad. She and I worked together at the campus café and became friendly that way. She always seemed to have some boy problem or another and, the schmo I was, availed myself to her venting spells (couldn’t hurt, right?).

Then she started dating someone fairly seriously. Then, more importantly, she got dumped by someone she was dating fairly seriously. When it happened, she spent a lot of time holed up in her room. I’d visit her, try to make her laugh or just sit there while she cried. It didn’t feel like a chore since I cared. It bummed me out that she was partial to dating heels, especially when I liked her and wouldn’t have treated her badly.

Anyway, a few months go by, and we’re closing up the café when I ask her out. She laughed, said, “Oh, I don’t know…” and went home. I was pretty embarrassed, but kept hoping I had a shot. I didn’t bring it up again because I didn’t want work to be awkward, but my feelings didn’t change. So I did the only thing I knew how to do at the time: I wrote her a letter…by hand, talking about how much I hated that she got hurt and that it wouldn’t be that way if she was with me, etc (trust me, I’m shaking my head about it even today). A few days later, I get a rejection email from her (that’s right, an email), admitting both flattery and disinterest in a relationship…and in even being my friend at all anymore. Stinger.

She must have changed the night of her café shift or something, because we didn’t really cross paths that much after that. We haven’t spoken to each other to this day.

Return to Saturday. Chris, Scott, and I had spent the entire day together, mostly at Lloyd 90s (we watched some Jell-O wrestling by the Dining Center, but that got old really quickly). Later that night, Chris went back to his room to check his email. He came back and told us that he got an email from the UCB Theatre inviting The Throng to participate in the 5th Annual Del Close Marathon!

You would have thought we’d won the NBA Championship by how many times we spontaneously hugged each other while exchanging unintelligible adulation. The news that we’d be playing on the same stage as the Upright Citizens Brigade, the masters of the very craft we loved, bumped the celebration of the weekend to a new level. When other members of The Throng would wander past the building, we’d call them over and spread the good news…and exchange more unintelligible adulation. When people from The Lighted Fools came by (they’d been accepted, too), we patted each other on the back and traded kind words. When people we didn’t even know walked by…we didn’t really notice because we were all so caught up by being the most important people on campus for that brief moment (only known to us, of course).

And then the figurative ceiling fell in. At some point during the night, a group of people came over to Lloyd 90s because they’d won an auction item that the residents of Lloyd 90s offered as part of a fundraiser. The item was a game of Das Boot, a version of kickball modified to keep college kids…er…interested. Chris, Scott and I weren’t planning on playing, but figured we’d follow the crowd and enjoy a livelier backdrop for talking about how awesome the Del Close Marathon was going to be. Just as the group was getting ready to head over to the lawn where they’d play, Alexis came up to me and said that I couldn’t go over to the game. At first, I thought it was because it was an exclusive event for the people who’d won the auction (which seemed silly). Then I learned quickly that that wasn’t the case.

Alexis: “This really sucks, but [Quaker girl] is really uncomfortable and doesn’t want you around.”

Seriously. That happened.

In all honesty, I wasn’t surprised that she’d feel that way given how our friendship had gone south. But the more frustrating part was that I’d been hanging out there all day and she never said anything. I made sure to stay out of her way so that she wouldn’t feel uncomfortable. So I was more hurt to be kicked out of a party that I’d been enjoying for hours. Then, I was shocked that she’d believe she had the right to have me removed from a party being thrown by a dorm she didn’t even live in. But more than all that, I felt badly for Chris and Scott because I figured they’d feel pressured to hang out with me instead of going to watch the Das Boot game. I didn’t want to put them in that position.

Turns out they were both more angry about my being kicked out of the party than anything else. Scott got pretty fired up about it, citing the flowerbed incident from earlier in the day as “not that big a deal” and “all [him] if anything.” Chris understood that there was more to it than that, but he was still mad, and told me that he’d rather hang out with me anyway (bless him). So we walked off toward my dorm to find something else to get into, and Alexis apologized again and went to the game.

On the way towards Gummere dorm, we shook the whole thing off by talking about how bogus the whole situation was. That was when I vowed never to talk to the girl again (as if it were up to me). But by the time we got to the front of my building, where there was a completely different group of happy people hanging out, we were already talking about the Del Close Marathon again, and sharing with these new people how awesome that was, whether they cared or not. Luckily, during Haverfest weekend, one man’s good news is everyone’s good news. The Quaker way wasn’t so bad after all. And now, my summer calendar had one huge circle on it, and that was really all that mattered.

Next time…Chapter 5: Live from New York


Twitter Weekly Updates for 2010-04-18

admin | April 18, 2010 in Hats Off! to PJI | Comments (0)

Tags:

  • New installment of Born Frowning, Died Laughing: http://bit.ly/cw0uFK #
  • I wish they made a boat you could hang out with and hug! #friendship #
  • Come to "PJI Am Happy Hour" Friday, April 30 from 5:00 pm to 7:00 pm. How could happy hour get any happier? Well,… http://bit.ly/a9xbDN #
  • What's creepy about #friendship @brendankennedy? Remember when I wore all your pants so you'd always remember how my calves smell? #

Powered by Twitter Tools


Born frowning, died laughing: Chapter 3

General McLean | April 11, 2010 in Born Frowning, Died Laughing | Comments (2)

Chapter 3: What a bunch of weirdos

I shouldn’t speak for anyone else, but when I get launched into a new environment or group of people, it feels natural to take inventory of who’s around and what they’re about. If this is true to you, then you also know what it’s like when some make more lasting impressions than others. As the graduating members of the group, Alexis and Chris were essentially the parents of The Throng, whereas Alejandro was like the loose cannon uncle who came and went as he pleased. But the people mentioned below were the core of the group that would carry on the young tradition that our seniors started. Aside from the seniors, there are other members I’m not mentioning in depth (Anirudh and Nora) in deference to my deepest impressions at the time.

Peter

At the end of my first practice, on the top floor of the Whitehead Campus Center, I didn’t realize that there would be a post-practice interview. But there was…and that was the first real conversation I had with Peter Schaefer.

Peter Schaefer was my year and was the heir apparent of The Throng. His style of play and the way he carried himself was authoritative yet unapologetically awkward. I remember watching him during practice and thinking that he definitely favored high status in a scene (I knew very little about ‘status’ at the time), but it worked because he was usually the smarter of the two people in the scene. It was going to be interesting playing with him, I thought.

Before I left the room where we were practicing, Peter pulled me aside, and I got nervous. I thought he was going to lay some noise on me that Alexis and Chris were too nice to tell me about, things I shouldn’t do in practice. I had no idea. Instead, he basically asked me if I was ‘down to ride.’ Of course, he didn’t say it in these terms, but when he asked me about my level of commitment, it told me that The Throng meant a lot to him, and he didn’t want anyone in the group who didn’t take it seriously going into his senior year. I told him I was “all in,” and, after that, we had an understanding that only strengthened our friendship going forward.

Eli

By liberal arts college standards, I’d say Eli Sweet was the heartthrob of our group. The tall, carefree, white kid with hip-hop sensibilities tipped the scale in the opposite direction of completely nerdy (perhaps in the same way I did, but more approachably for the predominantly white studentry).

Honestly, how carefree he could be at practice sometimes irritated me, but that’s just because I can get pretty intense. I couldn’t understand how anyone would doodle graffiti on a chalkboard while someone was trying to talk to the group. No one else seemed to mind, though. That was just Eli. He was fun to play with. I can’t remember an onstage choice he made that I didn’t like.

Jeph

I had Spanish class freshman year with Jeph Gord. He struck me as peculiar, the way he would fling his backpack onto the desk as if he wanted to see how loud a noise it would make. His innocence made him seem like a precocious child. But since he was a young adult like we all were, I’m not sure what the word for it is…so I’ll just have to call it ‘Jeph.’

I’ve mentioned Jeph before. He and I improv-peed on that wall in my audition. Well here are some of the reasons that we all loved Jeph:

Before I joined the group, Jeph was the guy who would come to all of the Sketchy Players/Throng shows and yell out complex alliterative suggestions, but didn’t do it in a way that said he was trying to screw the group over. The group believed that he really wanted the group to do amazing things with his offering. This is not an easy feat to pull off. But that’s Jeph. But since it’s doing improv shows about Mozambique’s Merchant Marines would be daunting for anyone, they made him join the group.

Jeph made fudge on a regular basis.

Jeph always had candy.

Jeph was partial to gummies.

Jeph was partial to sharing.

Jeph wore a digital watch, a red Games Workshop t-shirt and cargo pants.

Jeph was at least 6’2” and had a goatee and mustache.

Jeph is from California.

Jeph was gentle.

Jeph was never angry.

When it was time for student-run college clubs to submit budgets for their activities, Jeph budgeted for a deluxe Magic: The Gathering deck for his club. I don’t know if Jeph got it, but he should have.

Jeph and I were born on the same day.

By the world’s standards, Jeph was weird, but that’s why we loved him.

Thinking about Jeph makes me emotional.

Knowing Jeph made me understand why improv could be so great. The improv stage was a place where his peculiarities could be embraced and nurtured for all to appreciate. Playing with him made us all better people.

Scott

Scott Sheppard was the freshman dating my friend’s girlfriend’s roommate. He wore a grey fedora like my black one and I didn’t know how he landed a girl my year, but he did, and I thought that was weird. Past that, I didn’t know anything about him. I knew he improvised, I guess, but I had no idea that he would be one of the most talented guys I’d ever work with.

I envied Scott the moment I found out that he’d done improv in high school. That gave him an edge that I wished that I’d had because of how much of an improv zealot I was. But you could tell how much he just loved playing, and I always knew that there was the potential to create something great playing with him regardless of my limited experience.

When people talk about that ever elusive “it” that certain performers have, that’s what Scott has. Knowing the strength of his commitment to characters and choices, I shudder to imagine what The Throng would have been like without him. His play brought us all to another level.

Us

No two people in The Throng were alike. I thought it would be impossible to find eight people who were more different to come together and counteract the pressures of “No” by creating new worlds with “Yes.” But recognizing the potential of that creation and being a part of it made me feel like I belonged to something. I think I’ve already said that before, but for someone who isn’t religious, developing ‘group mind’ (how amazing is that!) with a diverse bunch of people is about as close as I’ve ever been to believing in the creative greatness that comes out of teamwork.

Next time…Chapter 4: Judgment Night


Twitter Weekly Updates for 2010-04-11

admin | in Hats Off! to PJI | Comments (0)

Tags:

Powered by Twitter Tools


Improv and Theatre and She’s All That

admin | April 9, 2010 in Hats Off! to PJI | Comments (4)

Tags: , , , , , , ,

The Philadelphia theater scene is stunningly prolific. We’ve got numerous Equity houses like the Wilma, PTC, the Arden, and the Lantern. We have many more companies like 1812, the Lantern, Azuka, InterAct, Brat Productions, and Pig Iron that offer union wages while developing provocative work. We host award-winning comtemporary playwrights like Michael Hollinger and Bruce Graham. And, via the annual Live Arts and Fringe Festival, we provide fertile ground for up-and-coming companies like Swim Pony, Nice People,  and 11th Hour to grow and thrive. Attention Mayor Nutter: perhaps we should change our motto to “Come for the cheesesteak; stay for the show.”

A big part of why I co-founded PJI with Kate is because I’ve long felt that Philadelphia improv could benefit from absorbing some of the local theatricality. Part of the beauty of improv is that it’s possible to do a great show with nothing more than some people, some other people watching, and a space to do it in. Yet improv’s punk rock aesthetic often contributes to its downfall. Many audience members leave a comedy show with the feeling that they got lost on the way to the theater and wound up in somebody’s cousins’ friends’ basement. Sometimes shitty production values aren’t hilarious, or guerilla, or refreshingly minimalist. They’re just shitty.

That’s one reason I was endlessly excited to kick off with a show like Cecily and Gwendolyn’s Fantastical Balloon Ride. While I’ve always known that improv was a legitimate performance form, it was beyond satisfying to see theatrical professionals Karen Getz and Kelly Jennings do a  I felt just like Kevin Pollak as Wayne Boggs in the legendary coming-of-age epic She’s All That; watching improv take of her stupid nerdy glasses and change into a nice dress so that Freddie Prinze, Jr. can just love her already. For you Prinze Jr. types (who somehow missed that Rachel Leigh Cook in an ugly outfit IS STILL RACHEL LEIGH FREAKIN’ COOK), my hope is that PJI’s investment in production values will help divulge one of theater’s biggest open secrets.

Coming up next for PJI is “Rodgers and Hammerstein Are Dead.” It’s a completely improvised musical inspired by the classic musicals of Broadway’s Golden Age. No, we aren’t doing any Rodgers and Hammerstein music. We couldn’t afford the rights, and anyway, if we knew the music in advance it wouldn’t be improvised! Yes, we are dressing our superb cast in period-appropriate costumes (designed by Katherine Fritz) that evoke the proper aesthetic. Yes, we did enlist the help of musician/comedian/excellent person Joe Gribbin (of ComedySportz and the Action Section). And yes, the project is under the direction of Jason Stockdale. For hot director-on-cast directing action, see below photo!

Jason Stockdale directs cast members Olwyn Conway and Mark BringhurstJason Stockdale (R) directs R&HAD cast members Olwn Conway and Mark Bringhurst.
Photo by Katherine Fritz.

This post was originally supposed to be about why we selected Jason as the director. The short answer is that he’s an experienced improviser, an experienced musical theatre performer, outrageously talented, and a swell guy (PJI has a fairly strict “No A-Holes” policy). The long answer is worth a whole separate blog post. Managing Director Kate Sabato managed to sit down with Jason and record his thoughts on the project. Hopefully we’ll be able to post some or all of the interview and you’ll be able to hear Jason’s qualifications for yourself.

Ok, here is the part where I struggle for a conclusion. Well, this entry has already taken several days to complete (blogging is NOT EASY when you’re a mediocre writer) and I’m getting really, really hungry. So I’m going to go all grade school on this post and commit as many concluding faux pas as I can recall

In conclusion, I — the author of this piece — do hereby conclude, THAT PAUL WALKER TOOK IMPROV TO A SWANKY HOTEL AND TRIED TO RAPE IT.

How could you, Paul Walker? How could you?


Twitter Weekly Updates for 2010-04-04

admin | April 4, 2010 in Hats Off! to PJI | Comments (0)

Tags:

  • Attention theatre: I vote we change the term "Production" to "Big To-Do" #
  • Why ISN'T Hank Williams Jr schilling for the fabric of our lives? "Are you ready for some COTTON!" has a nice ring to it. #
  • New blog feature! Born Frowning, Died Laughing: General McLean shares the story of his introduction to alt comedy…. http://bit.ly/dh7diE #
  • RT @ChipChantry There goes Menudo's "No Pregunta, No Dijo" policy. #rickymartin #
  • Come to "Open Mic Sandwich" Tomorrow from 8:00 pm to 11:00 pm. Love the new and experimental comedy you see at… http://bit.ly/cYvgCF #
  • I like it, @MovieSitesTour. If you ever need hilarious tour guides, just let us know. #
  • Comics/comedians/funny people! We're updating our links and would love to link to YOU. Let us know if you want in. #
  • Open Mic Sandwich tonight, Fergie's Pub, 1214 Sansom Street, 8:30pm. 8:00pm to sign up for open mic. Free! #
  • @ChipChantry We linked to your MySpace, which made me feel very 2005. Is there a better URL for your ass? in reply to ChipChantry #
  • @aaronhertzog and @CampWoods – Linked! xoxo #
  • Open Mic Sandwich tonight features Mary Radzinski, Henry Foley, and Pat Barker. Hosted by Tommy Highland. http://bit.ly/9VDt6J #
  • Last day to buy cheap tickets for Rodgers and Hammerstein Are Dead. All tix just $9.99 till midnight EST. http://bit.ly/a5zleR #
  • Managing Director Kate Sabato on April Fool's Day: "Sometimes awful things happen on April Fools Day, and I just… http://bit.ly/9JZcin #
  • Comedians! The hilarious Becca Trabin is working on a comedy feature for PW and wants to interview YOU! http://bit.ly/baa1OW #fb #
  • @FeekoBrothers done! and @CampWoods It's our pleasure. In return, all we ask is that you guys… well… kiss? in reply to FeekoBrothers #
  • Early bird ticket sale ends TONIGHT, 4/2/2010, 12:00AM EST – http://bit.ly/cCyirR #fb #
  • Early bird ticket sale ends TONIGHT, 4/2/2010, 12:00AM EST – http://bit.ly/cCyirR http://bit.ly/b2fscg #
  • @tbutils I don't know…. that guy in Memento seemed pretty pissed off. in reply to tbutils #
  • @dabryceisright Pantsless 30 Rock? Put a few chords to that Tweet and you have the next I Just Want (Bang Bang Bang) on your hands. in reply to dabryceisright #
  • Old blog post on comedy and why we even tell the jokes. 4 years later and it still hits home. http://bit.ly/91tq31 #
  • Old blog post by Kung Fu Monkey on comedy and why we even tell the jokes. 4 years later and it still hits home. http://bit.ly/91tq31 #
  • I posted 7 photos on Facebook in the album "Rodgers and Hammerstein Are Dead" http://bit.ly/9te0ra #

Powered by Twitter Tools


Born frowning, died laughing: Chapter 2

General McLean | April 1, 2010 in Born Frowning, Died Laughing | Comments (2)

Tags: , , , ,

Chapter 2: A guy named Chris

During my junior year at Haverford (before I even knew what The Throng was), I would occasionally sit with Alexis and her friends for lunch at the Dining Center. Most of these friends lived in the same building with Alexis, so we all knew each other. And then there was another guy, a short guy with a beard and a hat who never said much. I could tell he was only really Alexis’s friend, but I wasn’t even sure that he actually went to Haverford because I hadn’t seen him the year before (Haverford is small enough for that to be reasonable logic).

At the time, I didn’t have much interest in talking to him because…well…I had a crush on one of Alexis’s friends and that was the main reason I sat with them. Then, one day at lunch, there was a mention of someone (not present) who planned to move from a think tank in Alaska to do research in Antarctica. Everyone nodded and mumbled their approval at an academic pursuit taken so seriously (I didn’t understand why anyone would want to be in Alaska or Antarctica, but it takes all kinds). Suddenly, Alexis’s friend with the beard and hat smiled, shook his head and said, “You couldn’t go farther and change less.” Articulate. Selective. Hilarious. That was how I came to like Chris Conklin. Everyone laughed at his comment, but my appreciation ran deeper, mainly because he said so clearly what I was thinking. At that point I knew nothing about ‘group mind,’ but it came as no surprise that he and I worked so well performing improv.

Chris and I didn’t start hanging out on a regular basis until after I joined The Throng, so that was when I learned why I hadn’t heard of them (or him) until that year:

During the 2001-2002 academic year, Chris took a year off from Haverford and spent the time back home in Middletown, NY. During that period, he also took a long form improv class at the UCB Theatre with Armando Diaz, thus changing his outlook on what kind of comedy he wanted to perform. Up until that point, Chris (along with Alexis, Alejandro and others) had been in a group called The Sketchy Players, independently created because they did not get accepted into Haverford’s premier (at the time) comedy group, The Lighted Fools. The Sketchy Players mostly did short from improv (games like Freeze Tag and Party Quirks that you’d see on Whose Line Is It Anyway?) but, although the name would promise it, I was never sure that they ever wrote or performed sketches.

Chris returned to school for his senior year in the fall of 2002 with an ultimatum for his fellow ‘Sketchies:’ either we quit doing sketches and start doing long form improv, or I’m quitting the group. Of course, given his role in the creation of the group, the ultimatum wasn’t so much for influence as much as to express how serious he was about this new thing he’d learned. Oh, and another thing…The Sketchy Players moniker had to go. UCB co-founder Matt Walsh had already told them that it was a horrible name during a workshop in 2000, and now, with the format change, the name didn’t even make sense anymore. Done. The Throng it is.

I heard this whole story one night in Chris’s room while we watched recordings of the “Upright Citizens Brigade” television show that we’d both first enjoyed when they aired in 1998. Wait…no, that’s not true. There wasn’t much talking going on while we watched “Upright Citizens Brigade,” unless it had to do with marveling at how the show’s framework echoed that of the Harold (UCB Theatre’s flagship improv form). Actually, Chris and Alexis gave me this back-story while we sat around in Gummere (dorm) basement talking improv theory. I think all improvisors remember how fun it was to do that in the beginning (hopefully you’ll grow out of it at the same pace as the people around you, so as to not annoy the friendliness out of them).

Anyway, Chris and I hung out a fair amount that spring. I looked up to him because he had a great mind for improv and I wanted to soak up all the information I possibly could. He and I both have addictive personalities in that regard, so it worked out fine. And having his support definitely helped me fit in better with the group of strangers that I’d be performing with for the next year or so.

Next time…Chapter 3: What a bunch of weirdos